'Resonant... as Europe tumbles towards darkness, the writers in Ostend create a haven for love and literature - one they know is doomed - that Weidermann evokes with skill and delicacy' -- Sunday Times
'Death in Venice with more sex, more booze, more action' -- Financial Times
'For such a slim book to convey with such poignancy the extinction of a generation of "Great Europeans" is a triumph -- Sunday Telegraph
'Elegiac... a potent and melancholy book... Weidermann has combed letters, diaries and reminiscences and used them to tell his sad tale as if it were a novel, in a highly wrought prose style that... matches the heightened emotions and circumstances of his protagonists' -- Michael Prodger, The Times
'Captivating... [an] effortless combination of grand epoch-defining moments with seemingly mundane observations of the everyday... a historical triumph' -- Independent
'A sign of how far [the revival of Zweig and Roth's work] has succeeded... Weidermann finds a moment of relative calm and normality in the emigres' lives' -- New Statesman
'Intimately explores Zweig and Roth's co-dependent friendship' -- Observer
'Sparkling... Weidermann's storytelling is piquant' -- Publishers Weekly
'Taut, novelistic... in lyrical prose, Weidermann recreates the atmosphere of an ephemeral moment... evocative, sharply drawn portraits and a wry, knowing narrative voice make for an engrossing history' -- Kirkus (starred review)
'Weidermann magically evokes the mood of these artistic refugees as the sun set on the civilized order of Europe... abounds in poetry and deadpan understatement... The book is as transporting as fiction - I had to remind myself that it wasn't... Mr Weidermann knows which cafe each writer favored, what they drank, which manuscripts they read aloud. It could be Hemingway' -- Wall Street Journal
'Deeply affecting, economically expressed and almost unbearably sad' -- Glasgow Herald
'A brilliant, hard to bear, short novel about doom' -- Tribune
'Breezier and more brightly written than a study of two profound minds in torment on the eve of global disaster should reasonably be; an enthralling, juicy read' -- Big Issue
'A fascinating story, brilliantly told. These writers come together for a summer and then move on, providing a snapshot of the desperate situation of the mid-1930s' -- Jewish Chronicle
'Ostend is engaging as a meditation on the act of creation, one that explores how we make refuges out of our own pasts' -- New Republic
'Compellingly shows this doomed group at one of their last watering holes re-imagining their conversations and repartee' -- London Magazine
'Another winner from Pushkin!' -- Shiny New Books
'A rich, moving and entertaining portrait of a wonderful group of artists in transit' -- Kaggy's Bookish Ramblings
'There's something extraordinarily expressive and expansive about the way friendship has been conveyed throughout this altogether elegiac book' --David Marx Book Reviews
'A mesmerising, haunting read' -- The Lady
'A story of literature and friendship, with an adjoining cast of characters including Arthur Koestler and Irmgard Keun' --European Literature Network
